The announcement comes after the city switched its water source from the Detroit system to the Flint River in April 2014 and failed to treat the river water with corrosion-control chemicals based on advice from state water regulators. In 2014-2015, at least 12 people died and 79 others were sickened by Legionnaires’ disease that some experts have linked to the water switch and state officials have insisted is mostly linked to issues at one Flint hospital. 

Funnily enough I own a Rebel (1st camera), 7D mkii (2nd camera) and 5D mkiv (3rd camera). I still use all of them in my classes and with my family and I have to be honest and say that whrn I have lenses attached to all of them (as one does when one takes photos), I can barely tell the difference between them. There’s certainly no significant difference in weight, feel etc…..

In my case, for instance, I have put years and years and thousands of dollars into building up my lens collection, mostly with Canon. I am perfectly happy with my current 5D Mark IV and batch of lenses, but of course, if I could use them all on a native Canon mirrorless system that was a significant improvement on my current camera, then of course I’d jump at the chance. However, if Canon releases a full-frame mirrorless system that still requires an adapter for legacy lenses and doesn’t guarantee full integration of all lens features, then I will have to think seriously about which way I go, for two reasons.

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Aside from the handful of ways in which the Z6 and Z7 differ, the two cameras are identical in physical design and share their other features and specs.

PS. “pro shooters do their best work behind the camera”… So pro shooters must not light their scenes.

Every still camera manufacturer. All the high-end cinema camera manufacturers. We are now just waiting for the first low-end cinema cameras to switch. C300 FF or FS7 FF ?

I shoot professionally with a 5D Mk4. There isn’t a single item in this camera to compel me to move to full frame mirrorless… as much as I was waiting for it.

“Normally, this kind of a project requires a sizable investment, both in terms of materials and labor costs. Given tight budgets, anything we can do to save the municipality money makes a difference,” Moore said.

It’s difficult to find a bad sound in the Utility Knife. The only real downside, if you can even call it that, is a necessary trade-off for the pedal’s simplicity—specifically a lack of presets that could find you scrambling to re-adjust effects in performance. Again, this isn’t a negative. If it’s presets you want, you’ve probably looked elsewhere. And if it’s simplicity you crave, then presets may be exactly the thing you look to avoid. But it’s food for thought if you imagine using the full breadth of Southhampton’s many excellent sounds in a live context.

Yes I’ve written many times that when you factor in adapters and lenses and filters and filter holders added to bodies, there really isn’t much difference in size/weight/bulk between DSLR/mirrorless. You raise many valid points and I hope the engineers at Canon (and Nikon) don’t go the easy route and opt just for adapters.

Canon’s starting off with a camera that’s cannibalizing its full-frame DSLR best-seller, the 5D Mark IV. It’ll slot into the same niche as the enthusiast-oriented 6D Mark II, taking on Sony’s A7 III and setting its sights on Nikon’s still-an-unknown-quantity Z6, but with more pro-video-friendly design and features than have previously been available from Canon in the price range.