VOSD members get access to exclusive content. If you are a member, log in to view this post. If you’re not a member, join today!

The whole photographic and video industry is rushing to full-frame. In fact, it’s turned into a stampede.

Here’s something I’ve never thought about before; Let’s say both Canon and Nikon come out with a new mount/lens system. If that happens will standard lenses plummet in value? For the last 20 years lenses have held their value much better than cameras but this won’t be the case if they both dump their standard mounts.

I’ve been a canon user for over 30 years now and never complained but this is a missed opportunity. If I have to replace everything I might as well look at other brands.

Furthermore, the report assesses gross sales (volume & value), market share, market size, market growth rate based variety of applications. The Gas Pipe Fittings report also focuses on regional and provincial markets to analyze manufacturers, niche market segments, industry environment, raw material resources, and rivalry of the specific marketplace.

Matthew has won 38 ACS Awards and in 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards.

“Folks can say what they want to say, but firefighters are living climate change. It’s staring them in the face every day,” he told the Associated Press.

Yes, many photographers use FullFrame lenses on crop sensors, for two reasons: longer focal lenses and better lenses quality build. The APSC lenses selection is limited, and deserve better.

“It will stand to symbolize the Nikon Z mount system’s new dimension in optical performance,” Nikon says. “It has inherited the design concept behind the original AI Noct-NIKKOR 58mm f/1.2, a standard prime lens released in 1977, named for ‘Nocturne’ (a musical composition inspired by or evocative of the night), and was popular for its ability to finely reproduce point light sources as point images.

We’re striving for the best possible discussion and may delete comments using our editorial judgment. All comments containing links will be reviewed by VOSD staff before they are published.Read our full comment policy. For longer comments, consider submitting an op-ed to Voice of San Diego.Read the guidelines here.

The point is that people can’t slowly move to a new system. If you are stuck with one mount it means you either gotta invest in the one system and lose a bunch of money when you sell everything to move over to full frame or you can’t buy any glass until you have the money to buy the full frame with the new glass. I never said you need full frame to be a pro.

Panasonic’s been making nothing but Micro Four Thirds cameras for years, so this comes out of left field.