Jumping over to the tremolo revealed a nice, clear sine-wave throb that’s ideal for vintage-style swamp modulation. Increasing depth will gradually drown out the dry mix, and full-clockwise settings will produce a choppy, almost sawtooth-like stutter at moderate rates that translates to twitching ray-gun effects at faster speeds. A Les Paul was perfect for driving the classic, jet-plane sweep of the flange effect. Not all flangers do this well, but with heavy depth settings, and the rate around 9 o’clock, Utilty Knife’s flanger delivered the smooth taper in the waveforms that generates a warmer, more complex “whoosh.” It’s great for ’80s Anglo-pop tones, too. By bringing the rate to 10 o’clock and depth around 2, I achieved the eerie swirl of the Cure’s “A Forest.”

The new range of Z Series lens adapters from MTF will be shown for the first time during IBC 2018, which takes place between the 13 – 18th September in Amsterdam.  They will be available to order at the end of September 2018. Shipping will coincide with availability of initial products from Nikon’s Z Series full-frame mirrorless system.

Canon makes some pretty great cameras, though none are without their faults, including the company’s recently announced entry into the full-frame mirrorless market. Kai Wong’s first impressions of the Canon EOS R tell us about everything the camera does well and the mistakes Canon made with its release. 

Holding out for Fuji because they now have two awesome mirrorless cameras (X-H1, X-T2) and by far have the best lens lineup in the business for Super35. Hoping for a mini cinema camera with XLRs and internal NDs soon.

Thanks for the link. From reading that short discussion though, it seems the contributors aren’t really sold on any supposed "benefits" of a shorter flange distance. Pros and cons

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My comment was meant about the manufacturers that need to keep up with the latest technology. There are always exceptions. Some people still shoot film cameras.

MTF designs, manufacturers and finishes its lens adaptors itself. They main body is made from HE30 aluminium with a stainless steel seating face. They are ‘pre-shimmed’ to ensure the correct lens-flange-sensor distance for each lens format, and spare shims are included for fine tuning.

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“It will stand to symbolize the Nikon Z mount system’s new dimension in optical performance,” Nikon says. “It has inherited the design concept behind the original AI Noct-NIKKOR 58mm f/1.2, a standard prime lens released in 1977, named for ‘Nocturne’ (a musical composition inspired by or evocative of the night), and was popular for its ability to finely reproduce point light sources as point images.

The Z-mount will be “[d]esigned for full frame mirrorless cameras,” Nikon Rumors writes. “Keep in mind that ‘Z-mount’ may not be the final marketing name, but I believe the dimensions are right.”

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